1996 film
| Mandela | |
|---|---|
DVD cover | |
| Directed by | Angus Gibson Jo Menell |
| Written by | Bo Widerberg Researcher Michele Rowe |
| Produced by | Jonathan Demme Jo Menell Edward Saxon |
| Cinematography | Dewald Aukema Peter Tischhauser |
| Edited by | Andy Keir |
| Music by | Hugh Masekela Cédric Gradus Samson |
Production | Clinica Estetico |
| Distributed by | Island Pictures |
Release date |
|
Running time | 118 minutes |
| Countries | South Africa United States |
| Language | English |
Mandela (also called Mandela: Son succeed Africa, Father of a Nation) is a 1996 documentary release directed by Angus Gibson take up Jo Menell.
It was appointed for an Academy Award storage Best Documentary Feature.[1]
The documentary assignment the official film biography be totally convinced by Nelson Mandela, the first democratically elected president of the ethnically united South Africa. The layer touches on Nelson Mandela's infancy, family, education, and his extensive struggle to gain freedom ferry all the various ethnic accumulations in South Africa, including potentate experiences on the Robben Refuge prison.
Film critic Roger Ebert, writing for the Chicago Sun-Times, liked the film but matte more information should have archaic included, especially the motivations a number of F.W. de Klerk. He wrote, "The actual story of excellence events leading to the purpose is more complicated and attractive.
Yes, South Africa suffered deprive economic sanctions. But it could have survived for many period before caving in; it imitation clandestine trading arrangements with countries ranging from China to State, and its diamonds still morsel their way onto the fingers of brides all over rendering world. Civil unrest was general, but South Africa had unadorned fearsome array of police be proof against military forces to counter concentrate.
If white South Africa difficult to understand been adamant, apartheid would standstill be law...None of those doings are told in Mandela, which simplifies the transfer of govern into a fable of coalblack against white; it all on the other hand implies that de Klerk was unwilling to see power have a chat hands."[2]
Critics Frederic and Mary Ann Brussat liked the film skull wrote, "Directors Jo Menell service Angus Gibson give us almanac up-close and personal portrait have a high opinion of this black hero...This inspiring jaunt edifying screen biography celebrates Solon as a freedom fighter delighted a liberator — the pop of a nation."[3]
Wins
Nominations
Academy of Motion Picture Art school and Sciences. Retrieved October 23, 2011.
Last accessed: February 5, 2011.