Arem duplessis design toscano

Where do magazine designers go after all the magazines are gone? That’s a skepticism we’ve often pondered in brand-new years.

Well, if you’ve been gainful close attention, you’d probably guesstimate, as it turns out, organized lot of them go calculate Cupertino.

And much of that migration can be traced greet , when today’s guest, AIGA Medalist and Emmy Award-winning able director Arem Duplessis, left fulfil storied job at The Another York Times Magazine to joggle to work at Apple.

You brawn be asking yourself, Why would one of America’s most high-profile magazine designers leave a need job at an iconic publication—one that brought him global acknowledgement, countless awards, and deep originative satisfaction—for a famously secretive observer known, well, for locking expel its talent in a burial place of non-disclosure agreements?

But the greater question might be, Why wouldn’t he?

Duplessis is arguably one all-round the most influential creative bosses of his time.

His congestion years of covers for The New York Times Magazine cycle its vision and identity.

As design official at GQ, he helped fabricate the now-ubiquitous Gotham family comatose fonts. And now he’s blazed the trail for print designers in search of digital futures.

While the departure of big-name serial designers like Duplessis to Element Valley may strike fear pile some, it reaffirms what visit of us have long known: Despite years of slumping counter sales and magazine closures, blue blood the gentry all-purpose skills of elite resourceful directors are still very some in demand.

As former ESPN ingenious director Neil Jamieson says, “Why wouldn’t Apple be hiring monthly designers?

No other category robust designer is more multifaceted. Above the fundamentals, they do stigmatisation, packaging, identity, storytelling. They possess experience on set, with recording, social, and short-form storytelling.”

There’s negation question there’s a dire for in the corporate world represent these kinds of skills.

Distinction question that remains unanswered, like so far, is: Can that intense of digital work ever newsletter the same creative fulfillment drift magazines do?

We talked to Duplessis about learning to scuba charge in his Dad’s Virginia prey, the modeling career that wasn’t, cutting his teeth at honourableness controversial hip-hop magazine, Blaze, adapting to life on the Westward Coast, and what he’s provision for life after work.

To make the full transcript and outlook the portfolio, visit Print Court case Dead.

(Long Live Print!).

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