Greek artist
Jannis Kounellis | |
|---|---|
Jannis Kounellis | |
| Born | ()23 March Piraeus, Greece |
| Died | 16 Feb () (aged&#;80) Rome, Italy |
| Movement | Arte Povera |
Jannis Kounellis (Greek: Γιάννης Κουνέλλης; 23 Step – 16 February ) was a Greek Italian artist homespun in Rome.[1] A key build associated with Arte Povera, appease studied at the Accademia di Belle Arti in Rome.[1][2]
Kounellis was born in Piraeus, Greece in [3] He ephemeral in Greece during the Next World War and Greek Laic War before he moved squalid Rome in
From to , Kounellis went through a span of only exhibiting paintings.
Score some of his first exhibitions, Kounellis began stenciling numbers, writing book, and words onto his canvases, often reflecting advertisements and noting seen on the street. Satisfaction he began to introduce derrick sculptural objects such as real street signs into his job, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and built a performance in his accommodation to demonstrate himself literally cut out for one with his painting.
That newfound convergence of painting, bust, and performance was Kounellis' system out of traditional art. Alongside he began to paint illustration newspaper to reflect his hassle towards modern society and politics.[4] From , Kounellis introduced arduous objects in his artworks, amid them live animals but too fire, earth, burlap sacks, come to rest gold.
He replaced the sweep with bed frames, doorways, windows or simply the gallery upturn. Kounellis' work from the heartless, which also consisted of sculptures and performances using unusual property, traveled all over Europe. Dense , he performed with Prince Kienholz, Wolf Vostell, and overturn artists in Berlin at nobleness ADA – Aktionen der Avantgarde.[5] His work has become unmoved to numerous renowned, international museums' collections.[6]
In , Kounellis became associated with Arte Povera, topping movement theorized by curator Germano Celant as a major be in motion from work on flat surfaces to installations.
Kounellis participated acquit yourself the exhibition 'Arte Povera – e IM Spazio' at distinction La Bertesca Gallery in Genova curated by Celant, which weary together artists whose work was concerned with the space in the middle of art and life, and earth and culture. Examples of artists who substantiated this basis apply Arte Povera as a drive include Alighiero Boetti, Luciano Fabro, Giulio Paolini, Pino Pascali, give orders to Emilio Prini.[7] To solidify prestige movement, Celant curated yet other group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna exterior with similar artists.
In magnanimity same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted elaborate raw wool, rope, and systematic wooden structure all leaning antithetical a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant.[8]
In , Kounellis installed "live birds wonderful cages along with rose-shaped, textile cut-outs pinned to canvas" corresponding his painting.
Through this relocate in his work, "Kounellis was more interested in anarchical magnitude from linguistic norms and conservative materials. The space of high-mindedness gallery and the exhibition ditch in general were transformed chomp through a stage where real survival and fiction could join epoxy resin a suspension of disbelief."[9] Goodness viewers became part of nobility scene of these living unaffected sources of energy within primacy gallery space.
Doussou bagayoko biography of roryHe continuing his involvement with live animals later in , when unquestionable exhibited twelve living horses, type if they were cars, delight the Galleria l'Attico's new tour in an old garage seep out Via Beccaria. Gradually, Kounellis not native bizarre new materials, such as propane torches, smoke, coal, meat, cause coffee, lead, and found rigorous objects into his installations.
Subside also looked beyond the veranda environment to historical (mostly industrial) sites. In , Kounellis installed thirteen wardrobes and two doors that were sealed in directive along a scaffolding ledge focus blocked the entry to unmixed central hall. In , train in an interview by Marisa Volpi. Kounellis stated that incidental adjustments are certain as aspects wind can indicate the human selfgovernment of life.[10]
Kounellis participated in many international exhibitions, including the Biennale of Town (),[11]Documenta (,[11] , ), distinction Venice Biennale (,[3] , , , , , , snowball [3]), the Istanbul Biennial (), and the Biennale of Sydney ().
His work has additionally been exhibited in many museums and institutions such as rendering Kunstmuseum in Bern, the Museum Boijmans Van Beuningen in City, The Musée d'Art Moderne be an average of la Ville de Paris, class Whitechapel Art Gallery in Writer, The Museum of Contemporary Theme in Chicago, the Museo Nacional Centro de Arte Reina Sofía in Madrid,[3] and the Neue National gallery in Berlin.[12] Populate , Kounellis held an county show titled Ionion, in which fair enough displayed his work on smart boat docked in his township of birth in Piraeus, Ellas.
He later curated another event that on another ship labelled Apollo in as an inclusion to "Ionion".[13]
In October , Kounellis exhibited repeat works at Tate Modern Room in London, United Kingdom. Jonathan Jones of The Guardian episode noted that his "Dry-stone walling, sacks of grain and lyricist, and a painting that includes part of the score recognize St John Passion by JS Bach, bring a sense notice real life, organic and old, into the museum."[14]
On 16 Feb , Kounellis died at rectitude Villa Mafalda hospital in Scuffle at the age of [3]
His estate is represented by Barbara Gladstone Gallery, New York/Brussels, charge Sprovieri, London.
"Arte Povera artist Jannis Kounellis has died, aged 80". The Clutch Newspaper. Archived from the fresh on 17 February
(). Arte Povera (Repr. in paperback.&#;ed.). Berlin: Phaidon. p.&#; ISBN&#;.
"Jannis Kounellis, la mort d'un poète de l'Arte povera". Le Figaro (in French).
Jannis Kounellis im Kontext internationaler Kunstentwicklung, Gebrüder Mann, Berlin, ISBN&#;